The Children's Art Carnival

SEED BOMB: Artist Talk 1 with reflections on the 80th Anniversary of the atomic bombings of Hiroshima and Nagasaki
2025-08-06 18:00 - 20:00 (America/New_York) | The Children’s Art Carnival, 62 Hamilton Terrace, New York, NY, 10031, United States
SEED BOMB:
80th Anniversary of the USA-JAPAN Atomic Bombings. Sowing seeds for the future, to regenerate our polluted Earth.

This exhibition showcases artists who explore the themes of war and peace, offering an opportunity to reflect on the common future we all desire, beyond our differences, through their art.
Artist Talk Group 1: Wednesday, August 6, 6–8 pm (RSVP). Discussion starts at 6:30 pm.

Noreen Dean Dresser
Eiko Nishida
Tomo Mori
Nancy Paredes

Exhibition Dates: Friday, August 1 – Sunday, August 31
Regular Gallery Hours: Fridays, 5:30 to 7:30 pm, Saturdays & Sundays 12:00 – 5:00 pm

“SEED BOMB” Exhibition
80th Anniversary of the USA-JAPAN Atomic Bombings. Sowing seeds for the future, to regenerate our polluted Earth.
SEED BOMB is a transformative project that sows seeds for a peaceful future by learning, expressing, and communicating the history of wars. It takes place in New York City, where the Manhattan Project began developing the atomic bomb. To commemorate the 80th anniversary of the atomic bombings, exhibitions and events related to war and peace are being held near Manhattan Project historic sites. The SEED BOMB project provides opportunities to reflect together on the future we desire.
The title SEED BOMB was inspired by Felix Delacruz, a student who created an artwork about the end of World War II, after participating in “Under This Sky: Manhattan Project,” a history of the atomic bomb. He later named the seed bombs he made in his organic farming classes “Little Boy” and “Fat Man,” code names for the atomic bombs dropped on Hiroshima and Nagasaki. The greenery that sprouts on the atomic bomb site’s barren land (where no grass or trees were expected to grow for 70 years), brings hope for reconstruction.
Masanobu Fukuoka (February 2, 1913 – August 16, 2008), a Japanese farmer and philosopher, introduced his ideas about seed bombs into natural farming. Those ideas spread worldwide and contributed to the greening of deserts. Fukuoka’s “Seed Bombs” were made from clay soil, various seeds, medicinal herbs (to deter birds and insects), and water. When these bombs are sown, the seeds grow naturally in the right environment and at the appropriate time. The coexistence of multiple species helps each one thrive naturally, without chemical fertilizers.
The government of the United States of America, a nation of indigenous peoples and immigrants, has been involved in many wars in countries that are the homelands of its own citizens. These wars are devastating the environment and creating refugees who suffer the effects of endless battles. The Manhattan Project was a creative collaboration by the military-industrial-academic complex that brought together the “wisdom” of the world.
Indigenous people have deep respect for nature and all life. The ancient teachings of the indigenous Diné (Navajo) people passed down the importance of preserving nature as it is, including the “yellow dirt” (uranium) that is a raw material for nuclear bombs and power plants. By not following Diné’s lessons, our environment continues to deteriorate through the spread of invisible radioactive contamination.
80 years have passed since the birth of the atomic bomb, and tensions between nations are increasing. Instead of developing weapons that exterminate nature, including people, it’s crucial that each of us use the collective wisdom of humanity to achieve peace and harmony with nature. Our SEED BOMB project creates interactive spaces for people to come together through art, listen to each other, overcome differences, connect through our common goals, and plant seeds for the future we strive for.
>> More Exhibition Info

SEED BOMB exhibition is supported by:

Programs at the Children’s Art Carnival is made possible with funding from the Harlem Community Development Corporation, the New York State Council on the Arts, West Harlem Development Corporation, Lower Manhattan Cultural Council, Ruth Foundation for the Arts, and through contributions from West Harlem community members.

SEED BOMB: Friday Evening Gallery Hour with Origami + Film Screening
2025-08-08 17:30 - 19:30, 2025-08-15 17:30 - 19:30, 2025-08-22 17:30 - 19:30
Join us at the CAC after work or school for a relaxing gallery viewing, complete with snacks and drinks. We will have an Origami table where you can learn how to make a flower and/or a crane. Additionally, you can enjoy screenings of two student films: “A Seed Bomb Story” by Brotherhood Sister Sol and “SEED BOMB” by Yasuyo Tanaka.

Date: Friday, August 8, 22, 29, 5:30 to 7:30 pm.
For: Children, parents, art educators, neighbors, all welcome! Children must be accompanied by an adult)
Cost: Free

Register: No RSVP required, just walk in!

Origami Medicine Ball created by students of the Brotherhood Sister Sol

About SEED BOMB exhibition:

This exhibition showcases artists who explore the themes of war and peace, offering an opportunity to reflect on the common future we all desire, beyond our differences, through their art.

Exhibition Dates: Friday, August 1 – Sunday, August 31
Regular Gallery Hours: Fridays, 5:30 to 7:30 pm, Saturdays & Sundays 12:00 – 5:00 pm

Curated by Yasuyo Tanaka
Artists:

Blanka Amezkua
Michele Brody
Noreen Dean Dresser
Garry Grant
Laura King
Eiko Nishida
Nazanin Noroozi
Tomo Mori
Nancy Paredes
TAFA
Yasuyo Tanaka
Tammy Wofsey
Brotherhood Sister Sol

80th Anniversary of the USA-JAPAN Atomic Bombings. Sowing seeds for the future, to regenerate our polluted Earth.
SEED BOMB is a transformative project that sows seeds for a peaceful future by learning, expressing, and communicating the history of wars. It takes place in New York City, where the Manhattan Project began developing the atomic bomb. To commemorate the 80th anniversary of the atomic bombings, exhibitions and events related to war and peace are being held near Manhattan Project historic sites. The SEED BOMB project provides opportunities to reflect together on the future we desire.
The title SEED BOMB was inspired by Felix Delacruz, a student who created an artwork about the end of World War II, after participating in “Under This Sky: Manhattan Project,” a history of the atomic bomb. He later named the seed bombs he made in his organic farming classes “Little Boy” and “Fat Man,” code names for the atomic bombs dropped on Hiroshima and Nagasaki. The greenery that sprouts on the atomic bomb site’s barren land (where no grass or trees were expected to grow for 70 years), brings hope for reconstruction.
Masanobu Fukuoka (February 2, 1913 – August 16, 2008), a Japanese farmer and philosopher, introduced his ideas about seed bombs into natural farming. Those ideas spread worldwide and contributed to the greening of deserts. Fukuoka’s “Seed Bombs” were made from clay soil, various seeds, medicinal herbs (to deter birds and insects), and water. When these bombs are sown, the seeds grow naturally in the right environment and at the appropriate time. The coexistence of multiple species helps each one thrive naturally, without chemical fertilizers.
The government of the United States of America, a nation of indigenous peoples and immigrants, has been involved in many wars in countries that are the homelands of its own citizens. These wars are devastating the environment and creating refugees who suffer the effects of endless battles. The Manhattan Project was a creative collaboration by the military-industrial-academic complex that brought together the “wisdom” of the world.
Indigenous people have deep respect for nature and all life. The ancient teachings of the indigenous Diné (Navajo) people passed down the importance of preserving nature as it is, including the “yellow dirt” (uranium) that is a raw material for nuclear bombs and power plants. By not following Diné’s lessons, our environment continues to deteriorate through the spread of invisible radioactive contamination.
80 years have passed since the birth of the atomic bomb, and tensions between nations are increasing. Instead of developing weapons that exterminate nature, including people, it’s crucial that each of us use the collective wisdom of humanity to achieve peace and harmony with nature. Our SEED BOMB project creates interactive spaces for people to come together through art, listen to each other, overcome differences, connect through our common goals, and plant seeds for the future we strive for.

SEED BOMB exhibition is supported by:

Programs at the Children’s Art Carnival is made possible with funding from the Harlem Community Development Corporation, the New York State Council on the Arts, West Harlem Development Corporation, Lower Manhattan Cultural Council, Ruth Foundation for the Arts, and through contributions from West Harlem community members.

Drawing for People Who Think They Can’t Draw
2025-08-10 14:00 - 15:30, 2025-08-24 14:00 - 15:30
The 2nd and 4th Sundays of every month!
For: Teens and Adults. Children are welcomed with an accompanying adult.
Think you can’t draw? Well, think again…! In this class for teens and adults, you will use artists’ drawing tools, gain confidence, and acquire new ways of seeing and imagining that will result in drawings you are proud of. Join us and you will expand your awareness of what elements combine to make a “good drawing,” and have fun discovering your unique style of artistic expression. Don’t miss this empowering class—come cultivate your creativity. Yes, you CAN draw! You got this!
The class is ongoing and the teacher works with students individually, offering new subjects and techniques each week.
The registration is required to participate: Register Now.

Laura King, Artist, Art
About the facilitator: Laura King

Laura King, artist and resident of West Harlem, is passionate about expressing city life by drawing. Her graphite works range from precise anatomical storytelling and portraiture to quick captures of the streets that vibrate with energy and motion. In 2024, her drawings have been shown in NYC exhibitions at The Factory, Culture Lab LIC, Diego Salazar, The Atlantic, and soon (Oct-Nov) Art on the Avenue. She was also an invited panelist during LICA’s Drawing Beyond the Surface exhibition May 2024, Seeing and Feeling: A Conversation about the Medium of Drawing. @diditellyouidraw

SEED BOMB: Artist Talk 2 with reflections on NYC & Birthplace of the Manhattan Project
2025-08-13 18:00 - 20:00
SEED BOMB:
80th Anniversary of the USA-JAPAN Atomic Bombings. Sowing seeds for the future, to regenerate our polluted Earth.

This exhibition showcases artists who explore the themes of war and peace, offering an opportunity to reflect on the common future we all desire, beyond our differences, through their art.
Artist Talk Group 2: Wednesday, August 13, 6–8 pm (RSVP). The gallery opens at 5:30pm, and the talk will begin at 6:15 pm.

Blanka Amezkua
Michele Brody
Garry Grant
Laura King
TAFA
Tammy Wofsey

Exhibition Dates: Friday, August 1 – Sunday, August 31
Regular Gallery Hours: Fridays, 5:30 to 7:30 pm, Saturdays & Sundays 12:00 – 5:00 pm

“SEED BOMB” Exhibition
Curated by Yasuyo Tanaka

80th Anniversary of the USA-JAPAN Atomic Bombings. Sowing seeds for the future, to regenerate our polluted Earth.
SEED BOMB is a transformative project that sows seeds for a peaceful future by learning, expressing, and communicating the history of wars. It takes place in New York City, where the Manhattan Project began developing the atomic bomb. To commemorate the 80th anniversary of the atomic bombings, exhibitions and events related to war and peace are being held near Manhattan Project historic sites. The SEED BOMB project provides opportunities to reflect together on the future we desire.
The title SEED BOMB was inspired by Felix Delacruz, a student who created an artwork about the end of World War II, after participating in “Under This Sky: Manhattan Project,” a history of the atomic bomb. He later named the seed bombs he made in his organic farming classes “Little Boy” and “Fat Man,” code names for the atomic bombs dropped on Hiroshima and Nagasaki. The greenery that sprouts on the atomic bomb site’s barren land (where no grass or trees were expected to grow for 70 years), brings hope for reconstruction.
Masanobu Fukuoka (February 2, 1913 – August 16, 2008), a Japanese farmer and philosopher, introduced his ideas about seed bombs into natural farming. Those ideas spread worldwide and contributed to the greening of deserts. Fukuoka’s “Seed Bombs” were made from clay soil, various seeds, medicinal herbs (to deter birds and insects), and water. When these bombs are sown, the seeds grow naturally in the right environment and at the appropriate time. The coexistence of multiple species helps each one thrive naturally, without chemical fertilizers.
The government of the United States of America, a nation of indigenous peoples and immigrants, has been involved in many wars in countries that are the homelands of its own citizens. These wars are devastating the environment and creating refugees who suffer the effects of endless battles. The Manhattan Project was a creative collaboration by the military-industrial-academic complex that brought together the “wisdom” of the world.
Indigenous people have deep respect for nature and all life. The ancient teachings of the indigenous Diné (Navajo) people passed down the importance of preserving nature as it is, including the “yellow dirt” (uranium) that is a raw material for nuclear bombs and power plants. By not following Diné’s lessons, our environment continues to deteriorate through the spread of invisible radioactive contamination.
80 years have passed since the birth of the atomic bomb, and tensions between nations are increasing. Instead of developing weapons that exterminate nature, including people, it’s crucial that each of us use the collective wisdom of humanity to achieve peace and harmony with nature. Our SEED BOMB project creates interactive spaces for people to come together through art, listen to each other, overcome differences, connect through our common goals, and plant seeds for the future we strive for.
> More Exhibition Info

SEED BOMB exhibition is supported by:

Programs at the Children’s Art Carnival is made possible with funding from the Harlem Community Development Corporation, the New York State Council on the Arts, West Harlem Development Corporation, Lower Manhattan Cultural Council, Ruth Foundation for the Arts, and through contributions from West Harlem community members.

Crochet Workshop - Families with Children
2025-08-16 11:00 - 12:00
Crochet Workshop by Milagros Batista

Join fashion designer and craftswoman Milagros Batista in a delightful crochet workshop suitable for all ages and skill levels. For beginners looking to grasp the fundamentals, Milagros will guide students through a hands-on experience, offering insights into both simple basics and more challenging stitches.
The workshop will be held at Children’s Art Carnival at 62 Hamilton Place, New York, NY 10031
The 3rd Saturday of every month
Families with children:
11am to 12 noon
Children must be accompanied with an adult, no drop-off
Free, or pay what-you-can donation
Online registration is required to participate: Register for Families with Children Workshop
Teens and Adults: 12:30 to 1:30pm Register for Teens and Adults Workshop

Milagros Batista: Creator of Wearable Art!
Fiber Artist | Master Knitter/Crocheter | Fashion Designer | Social Activist
Personal and Artistic Journey
Milagros Batista is more than a designer; she’s a storyteller weaving tales of resilience, cultural vibrancy, and individuality through her wearable art. Born in Puerto Plata, Dominican Republic, Milagros draws inspiration from the rich tapestry of her childhood—ocean waves, bustling markets, and the aroma of coffee and sugarcane. Growing up during a challenging political era, Milagros found strength in her family and guidance in the form of Doña Maria Luisa, a Freedom Fighter and Master Knitter. This mentorship became the foundation of her journey into the world of fiber arts, knitting, crochet, and social justice.
Early Influence and Mentorship
At seven, Milagros’ meeting with Doña Maria Luisa marked the beginning of a transformative journey. Hindered by financial constraints, Milagros proposed a unique arrangement—she’d work for knitting lessons. Doña Maria Luisa, a fearless advocate against dictatorship, not only agreed but ignited in Milagros a passion for social change. Doña Maria Luisa’s passing didn’t halt Milagros’ growth; instead, she became part of a collective of women mentors, guiding her until her family moved to New York. The vibrant culture of NYC, coupled with the influence of the “Black is Beautiful” movement, shaped Milagros’ perspective, fueling her commitment to equity, sustainability, and gender neutrality.
The Batista Collections: Brand Bio
Milagros Batista – Designing for Equity, Sustainability, and Gender Neutrality
A decade ago, Milagros transitioned careers to dedicate herself entirely to knitting and crochet. In 2016, she birthed Batista Collections, challenging preconceptions in high fashion. The resurgence of these crafts during the pandemic amplified her mission, solidifying their presence in the industry. Milagros’ designs stand out, incorporating intricate cables reminiscent of braided hair. Pieces like the “Free Spirited” shawl/jacket symbolize freedom and self-expression. As Batista Collections moves forward, it envisions pushing creative boundaries, defining a path where fashion meets individuality.
Mission Statement
At Batista Collections, we’re crafting a fashion revolution beyond gender norms. Fashion should liberate, allowing limitless self-expression. Rooted in inclusivity and authenticity, our gender-neutral garments empower individuals to embrace their unique identities without fear or limitation. Meticulously crafted, our designs blur gender lines, allowing wearers to explore personal style with confidence. We celebrate the beauty of diversity, honoring the rich tapestry of global identities. Committed to sustainability, we prioritize ethical practices and mindful production. Join us in this transformative journey where fashion becomes a tool for self-expression and empowerment.

Crochet Workshop - Teens and Adults
2025-08-16 12:30 - 13:30
Crochet Workshop by Milagros Batista

Join fashion designer and craftswoman Milagros Batista in a delightful crochet workshop suitable for all ages and skill levels. For beginners looking to grasp the fundamentals, Milagros will guide students through a hands-on experience, offering insights into both simple basics and more challenging stitches.
The workshop will be held at Children’s Art Carnival at 62 Hamilton Place, New York, NY 10031
The 3rd Saturday of every month
Pay what-you-can donation
Teens and Adults:
12:30 to 1:30pm
Online registration is required to participate: Register for Teens and Adults Workshop

Families with children:
11am to 12 noon
Children must be accompanied with an adult, no drop-off
Register for Families with Children Workshop

Milagros Batista: Creator of Wearable Art!
Fiber Artist | Master Knitter/Crocheter | Fashion Designer | Social Activist
Personal and Artistic Journey
Milagros Batista is more than a designer; she’s a storyteller weaving tales of resilience, cultural vibrancy, and individuality through her wearable art. Born in Puerto Plata, Dominican Republic, Milagros draws inspiration from the rich tapestry of her childhood—ocean waves, bustling markets, and the aroma of coffee and sugarcane. Growing up during a challenging political era, Milagros found strength in her family and guidance in the form of Doña Maria Luisa, a Freedom Fighter and Master Knitter. This mentorship became the foundation of her journey into the world of fiber arts, knitting, crochet, and social justice.
Early Influence and Mentorship
At seven, Milagros’ meeting with Doña Maria Luisa marked the beginning of a transformative journey. Hindered by financial constraints, Milagros proposed a unique arrangement—she’d work for knitting lessons. Doña Maria Luisa, a fearless advocate against dictatorship, not only agreed but ignited in Milagros a passion for social change. Doña Maria Luisa’s passing didn’t halt Milagros’ growth; instead, she became part of a collective of women mentors, guiding her until her family moved to New York. The vibrant culture of NYC, coupled with the influence of the “Black is Beautiful” movement, shaped Milagros’ perspective, fueling her commitment to equity, sustainability, and gender neutrality.
The Batista Collections: Brand Bio
Milagros Batista – Designing for Equity, Sustainability, and Gender Neutrality
A decade ago, Milagros transitioned careers to dedicate herself entirely to knitting and crochet. In 2016, she birthed Batista Collections, challenging preconceptions in high fashion. The resurgence of these crafts during the pandemic amplified her mission, solidifying their presence in the industry. Milagros’ designs stand out, incorporating intricate cables reminiscent of braided hair. Pieces like the “Free Spirited” shawl/jacket symbolize freedom and self-expression. As Batista Collections moves forward, it envisions pushing creative boundaries, defining a path where fashion meets individuality.
Mission Statement
At Batista Collections, we’re crafting a fashion revolution beyond gender norms. Fashion should liberate, allowing limitless self-expression. Rooted in inclusivity and authenticity, our gender-neutral garments empower individuals to embrace their unique identities without fear or limitation. Meticulously crafted, our designs blur gender lines, allowing wearers to explore personal style with confidence. We celebrate the beauty of diversity, honoring the rich tapestry of global identities. Committed to sustainability, we prioritize ethical practices and mindful production. Join us in this transformative journey where fashion becomes a tool for self-expression and empowerment.

SEED BOMB: Japanese Paper Dyeing (Shibori) Workshop
2025-08-23 13:00 - 15:00
In this workshop, facilitator Yasuyo Tanaka will introduce Itajime Shibori, a traditional Japanese tie-dye technique that uses paper folding. Participants will learn how to fold Washi paper to create unique patterns and dip the corners in paint. This simple and enjoyable art-making process is suitable for all ages—and everyone will leave with beautiful results.

Date: Saturday, August 23, 1 to 3 pm.
For: All ages, Children must be accompanied by an adult.
Cost: $5 suggested donation or Pay-what-you-can
Register: Online registration is required (Save your spot today!)

About the facilitator: Yasuyo Tanaka
Yasuyo Tanaka is a first-generation Japanese immigrant, with passionate interest in radiation disasters, caused by the Fukushima nuclear accident, and the atomic bombings of Hiroshima and Nagasaki. She is a social practice artist, educator, independent researcher, and peace activist. Based on her research and experiences with social and environmental issues, she engages in creative activities through her multidisciplinary art practice, which includes printmaking, photography, writing, bookmaking, and performance art. In her collaborative projects, she creates educational programs on the theme: “To teach is to be taught”. She organizes: exhibitions, events, and festivals, to foster community with local people.

About SEED BOMB exhibition:

This exhibition showcases artists who explore the themes of war and peace, offering an opportunity to reflect on the common future we all desire, beyond our differences, through their art.

Exhibition Dates: Friday, August 1 – Sunday, August 31
Regular Gallery Hours: Fridays, 5:30 to 7:30 pm, Saturdays & Sundays 12:00 – 5:00 pm

Curated by Yasuyo Tanaka
Artists:

Blanka Amezkua
Michele Brody
Noreen Dean Dresser
Garry Grant
Laura King
Eiko Nishida
Nazanin Noroozi
Tomo Mori
Nancy Paredes
TAFA
Yasuyo Tanaka
Tammy Wofsey
Brotherhood Sister Sol

SEED BOMB
80th Anniversary of the USA-JAPAN Atomic Bombings. Sowing seeds for the future, to regenerate our polluted Earth.
SEED BOMB is a transformative project that sows seeds for a peaceful future by learning, expressing, and communicating the history of wars. It takes place in New York City, where the Manhattan Project began developing the atomic bomb. To commemorate the 80th anniversary of the atomic bombings, exhibitions and events related to war and peace are being held near Manhattan Project historic sites. The SEED BOMB project provides opportunities to reflect together on the future we desire.
The title SEED BOMB was inspired by Felix Delacruz, a student who created an artwork about the end of World War II, after participating in “Under This Sky: Manhattan Project,” a history of the atomic bomb. He later named the seed bombs he made in his organic farming classes “Little Boy” and “Fat Man,” code names for the atomic bombs dropped on Hiroshima and Nagasaki. The greenery that sprouts on the atomic bomb site’s barren land (where no grass or trees were expected to grow for 70 years), brings hope for reconstruction.
Masanobu Fukuoka (February 2, 1913 – August 16, 2008), a Japanese farmer and philosopher, introduced his ideas about seed bombs into natural farming. Those ideas spread worldwide and contributed to the greening of deserts. Fukuoka’s “Seed Bombs” were made from clay soil, various seeds, medicinal herbs (to deter birds and insects), and water. When these bombs are sown, the seeds grow naturally in the right environment and at the appropriate time. The coexistence of multiple species helps each one thrive naturally, without chemical fertilizers.
The government of the United States of America, a nation of indigenous peoples and immigrants, has been involved in many wars in countries that are the homelands of its own citizens. These wars are devastating the environment and creating refugees who suffer the effects of endless battles. The Manhattan Project was a creative collaboration by the military-industrial-academic complex that brought together the “wisdom” of the world.
Indigenous people have deep respect for nature and all life. The ancient teachings of the indigenous Diné (Navajo) people passed down the importance of preserving nature as it is, including the “yellow dirt” (uranium) that is a raw material for nuclear bombs and power plants. By not following Diné’s lessons, our environment continues to deteriorate through the spread of invisible radioactive contamination.
80 years have passed since the birth of the atomic bomb, and tensions between nations are increasing. Instead of developing weapons that exterminate nature, including people, it’s crucial that each of us use the collective wisdom of humanity to achieve peace and harmony with nature. Our SEED BOMB project creates interactive spaces for people to come together through art, listen to each other, overcome differences, connect through our common goals, and plant seeds for the future we strive for.

SEED BOMB exhibition is supported by:

Programs at the Children’s Art Carnival is made possible with funding from the Harlem Community Development Corporation, the New York State Council on the Arts, West Harlem Development Corporation, Lower Manhattan Cultural Council, Ruth Foundation for the Arts, and through contributions from West Harlem community members.

SEED BOMB: Friday Evening Gallery Hour with Origami + Film Screening
2025-08-29 17:30 - 19:30
Join us at the CAC after work or school for a relaxing gallery viewing on Fridays, complete with snacks and drinks. We will have an Origami table where you can learn how to make a flower and/or a crane. Additionally, you can enjoy screenings of two student films: “A Seed Bomb Story” by Brotherhood Sister Sol and “SEED BOMB” by Yasuyo Tanaka.

Date: Friday, August 8, 22, 29, 5:30 to 7:30 pm.
For: Children, parents, art educators, neighbors, all welcome! Children must be accompanied by an adult)
Cost: Free

Register: No RSVP required, just walk in!

Origami Medicine Ball created by students of the Brotherhood Sister Sol

About SEED BOMB exhibition:

This exhibition showcases artists who explore the themes of war and peace, offering an opportunity to reflect on the common future we all desire, beyond our differences, through their art.

Exhibition Dates: Friday, August 1 – Sunday, August 31
Regular Gallery Hours: Fridays, 5:30 to 7:30 pm, Saturdays & Sundays 12:00 – 5:00 pm

Curated by Yasuyo Tanaka
Artists:

Blanka Amezkua
Michele Brody
Noreen Dean Dresser
Garry Grant
Laura King
Eiko Nishida
Nazanin Noroozi
Tomo Mori
Nancy Paredes
TAFA
Yasuyo Tanaka
Tammy Wofsey
Brotherhood Sister Sol

80th Anniversary of the USA-JAPAN Atomic Bombings. Sowing seeds for the future, to regenerate our polluted Earth.
SEED BOMB is a transformative project that sows seeds for a peaceful future by learning, expressing, and communicating the history of wars. It takes place in New York City, where the Manhattan Project began developing the atomic bomb. To commemorate the 80th anniversary of the atomic bombings, exhibitions and events related to war and peace are being held near Manhattan Project historic sites. The SEED BOMB project provides opportunities to reflect together on the future we desire.
The title SEED BOMB was inspired by Felix Delacruz, a student who created an artwork about the end of World War II, after participating in “Under This Sky: Manhattan Project,” a history of the atomic bomb. He later named the seed bombs he made in his organic farming classes “Little Boy” and “Fat Man,” code names for the atomic bombs dropped on Hiroshima and Nagasaki. The greenery that sprouts on the atomic bomb site’s barren land (where no grass or trees were expected to grow for 70 years), brings hope for reconstruction.
Masanobu Fukuoka (February 2, 1913 – August 16, 2008), a Japanese farmer and philosopher, introduced his ideas about seed bombs into natural farming. Those ideas spread worldwide and contributed to the greening of deserts. Fukuoka’s “Seed Bombs” were made from clay soil, various seeds, medicinal herbs (to deter birds and insects), and water. When these bombs are sown, the seeds grow naturally in the right environment and at the appropriate time. The coexistence of multiple species helps each one thrive naturally, without chemical fertilizers.
The government of the United States of America, a nation of indigenous peoples and immigrants, has been involved in many wars in countries that are the homelands of its own citizens. These wars are devastating the environment and creating refugees who suffer the effects of endless battles. The Manhattan Project was a creative collaboration by the military-industrial-academic complex that brought together the “wisdom” of the world.
Indigenous people have deep respect for nature and all life. The ancient teachings of the indigenous Diné (Navajo) people passed down the importance of preserving nature as it is, including the “yellow dirt” (uranium) that is a raw material for nuclear bombs and power plants. By not following Diné’s lessons, our environment continues to deteriorate through the spread of invisible radioactive contamination.
80 years have passed since the birth of the atomic bomb, and tensions between nations are increasing. Instead of developing weapons that exterminate nature, including people, it’s crucial that each of us use the collective wisdom of humanity to achieve peace and harmony with nature. Our SEED BOMB project creates interactive spaces for people to come together through art, listen to each other, overcome differences, connect through our common goals, and plant seeds for the future we strive for.

SEED BOMB exhibition is supported by:

Programs at the Children’s Art Carnival is made possible with funding from the Harlem Community Development Corporation, the New York State Council on the Arts, West Harlem Development Corporation, Lower Manhattan Cultural Council, Ruth Foundation for the Arts, and through contributions from West Harlem community members.

A Visual Gesture - Summer Art Workshop by Aleathia Brown
2025-08-29 18:00 - 21:00
Theme Title: A Visual Gesture
For: Adults/Seniors
Tickets: $48.50

A Line, bold, colorful, and Moving can be Art. Join this art-making workshop on a special coated paper. Participants will create they’re masterpieces with acrylic paint accompanied by a vibrant Music playlist.
This session will be guided by a Master Teaching Artist, Aleathia Brown of Aleathia’s Original Artworks.
Non-artists and Creative welcomed.

Art Supplies included
Guidance for the Art workshop throughout is warmly available

Payment Link
https://square.link/u/Sc5CJX4g

Community Engagement
If unable to attend sponsor a ticket or 2 for someone unable to pay wanting to attend

Book a seat at the table with
Aleathia Brown
Teaching Artist
aleathiab.art@gmail.com

Aleathia Brown
Instagram: @aleathias_original_artworks

SEED BOMB: Closing Event + Artist Talk
2025-08-31 15:00 - 17:00
The creations of our 12 artists are like a vibrant mix of seeds in a seed bomb—each one distinct in style and medium, yet collectively they form a powerful and harmonious exhibit. Each piece reflects the individual artist’s unique perspective.
This show is not just an exhibition; it’s an opportunity to immerse yourself in the narratives and insights that shaped each artwork about atomic bombs, history, environment and future, with detailed explanations available to deepen your understanding.
On the final day of the exhibit, we invite you to participate in a guided gallery walk-through, where you can engage directly with the artists themselves. They will share their inspirations and creative processes.

Artist Talk & Presentation by Garry Grant, Nazanin Noroozi and Yasuyo Tanaka

Date: Sunday, August 31, 3 to 5 pm. The artist talk (walk-through) starts at 3:30pm
Cost: Free

Register: No RSVP required, walk in!

The Scholar’s Seed Bomb Du Bois and the Nuclear Age, Coretta’s Garden Seeds of Peace Beyond the Bomb, Robeson’s Garden Sowing Unity in a Nuclear World Garry Grant

TBE5.2: From the series This Bitter Earth, Beirut 200804 #1,Nazanin Noroozi

Nuclear Disaster, Yasuyo Tanaka

About SEED BOMB exhibition:

This exhibition showcases artists who explore the themes of war and peace, offering an opportunity to reflect on the common future we all desire, beyond our differences, through their art.

Exhibition Dates: Friday, August 1 – Sunday, August 31
Regular Gallery Hours: Fridays, 5:30 to 7:30 pm, Saturdays & Sundays 12:00 – 5:00 pm

Curated by Yasuyo Tanaka
Artists:

Blanka Amezkua
Michele Brody
Noreen Dean Dresser
Garry Grant
Laura King
Eiko Nishida
Nazanin Noroozi
Tomo Mori
Nancy Paredes
TAFA
Yasuyo Tanaka
Tammy Wofsey
Brotherhood Sister Sol

80th Anniversary of the USA-JAPAN Atomic Bombings. Sowing seeds for the future, to regenerate our polluted Earth.
SEED BOMB is a transformative project that sows seeds for a peaceful future by learning, expressing, and communicating the history of wars. It takes place in New York City, where the Manhattan Project began developing the atomic bomb. To commemorate the 80th anniversary of the atomic bombings, exhibitions and events related to war and peace are being held near Manhattan Project historic sites. The SEED BOMB project provides opportunities to reflect together on the future we desire.
The title SEED BOMB was inspired by Felix Delacruz, a student who created an artwork about the end of World War II, after participating in “Under This Sky: Manhattan Project,” a history of the atomic bomb. He later named the seed bombs he made in his organic farming classes “Little Boy” and “Fat Man,” code names for the atomic bombs dropped on Hiroshima and Nagasaki. The greenery that sprouts on the atomic bomb site’s barren land (where no grass or trees were expected to grow for 70 years), brings hope for reconstruction.
Masanobu Fukuoka (February 2, 1913 – August 16, 2008), a Japanese farmer and philosopher, introduced his ideas about seed bombs into natural farming. Those ideas spread worldwide and contributed to the greening of deserts. Fukuoka’s “Seed Bombs” were made from clay soil, various seeds, medicinal herbs (to deter birds and insects), and water. When these bombs are sown, the seeds grow naturally in the right environment and at the appropriate time. The coexistence of multiple species helps each one thrive naturally, without chemical fertilizers.
The government of the United States of America, a nation of indigenous peoples and immigrants, has been involved in many wars in countries that are the homelands of its own citizens. These wars are devastating the environment and creating refugees who suffer the effects of endless battles. The Manhattan Project was a creative collaboration by the military-industrial-academic complex that brought together the “wisdom” of the world.
Indigenous people have deep respect for nature and all life. The ancient teachings of the indigenous Diné (Navajo) people passed down the importance of preserving nature as it is, including the “yellow dirt” (uranium) that is a raw material for nuclear bombs and power plants. By not following Diné’s lessons, our environment continues to deteriorate through the spread of invisible radioactive contamination.
80 years have passed since the birth of the atomic bomb, and tensions between nations are increasing. Instead of developing weapons that exterminate nature, including people, it’s crucial that each of us use the collective wisdom of humanity to achieve peace and harmony with nature. Our SEED BOMB project creates interactive spaces for people to come together through art, listen to each other, overcome differences, connect through our common goals, and plant seeds for the future we strive for.

SEED BOMB exhibition is supported by:

Programs at the Children’s Art Carnival is made possible with funding from the Harlem Community Development Corporation, the New York State Council on the Arts, West Harlem Development Corporation, Lower Manhattan Cultural Council, Ruth Foundation for the Arts, and through contributions from West Harlem community members.

Clay Workshop: Hand-Building for Beginners
2025-09-02 18:00 - 20:00, 2025-09-16 18:00 - 20:00
Hand-Building for Beginners
Students will explore the art of hand-building through techniques such as coils, pinch pots, and slabs. They will gain confidence working with clay, learning to use tools to shape, texture, and bring their creative ideas to life.

Facilitated by: Early Rudolph
Day & Time: Tuesdays, 6:00–8:00 PM
Class Dates:
September: 2, 9, 16, 23, 30
October: 7, 14, 21, 28
November: 4, 11, 18, 25
December: 2, 9, 16, 23
Age Group: 16 years and older
Cost:
General Admission: $12
Family Admission (Parent & Children): $15
Donation (Pay What You Wish)
Free Entry Available

Registration is required to participate: Reserve your spot now!

About the Facilitator: Early Rudolph

Early Rudolph “My talent for art emerged at a very young age in elementary school, where it was first recognized. Teachers at my junior high school encouraged me by showcasing my work at PTA meetings, school openings, and art fairs. In the 1970s, I was selected to exhibit at the Brooklyn Museum of Art as part of a showcase of outstanding works by high school students. I was also awarded a special scholarship to study sculpture at Brooklyn College for one year, where I honed my technique and deepened my understanding of various artistic mediums.
Since 1984, my studies at Greenwich House Pottery have opened numerous avenues in the world of functional ceramics and sculpture, providing exposure to gallery shows and opportunities to sell my work to art collectors. In the 1980s, I began teaching ceramics and sculpture in both the private sector and New York City government programs, instructing students of all ages—including children, adults, senior citizens, and individuals who are blind or differently-abled—helping them experience the beauty of art through the sensitivity of their hands.
Teaching Experience:

Sirovich Senior Center (1990s): Taught ceramics for 14 years.
Associated Blind, Inc. (1990–2000): Taught ceramics for 15 years.
Conducted workshops throughout Manhattan and Brooklyn during the 1980s and 1990s.
Visions for the Blind (late 1990s–early 2000s): Led 12-day workshops at their vacation camp in Spring Valley, NY, producing results at the conclusion of each session.This list only scratches the surface of my experience, but I hope it gives you a sense of my dedication to teaching and creating art.”

In the Garden of Stitches - An Evening of Crochet, Community and Creativity in the CAC Garden
2025-09-05 18:00 - 20:00
Reception: Friday, September 5 | 6:00 PM – 9:00 PM
Location:
Children’s Art Carnival, 62 Hamilton Terrace, New York, NY 10031
The CAC Garden (backyard on the ground floor)
The Children’s Art Carnival cordially invites our neighbors and community friends to a special evening in the CAC Garden—an exhibition featuring works of SEVEN WOMEN crochet artists created during the 2025 Spring and Summer crochet workshops.

Gelli Printing on Fabric and Paper | PRESS & PULL | FALL 2025
2025-09-06 13:00 - 15:00
Facilitated by: Dindga McCannon
Class Date: Saturday, September 6
Time: 1:00 – 3:00 p.m.
Venue: The Children’s Art Carnival
Max. Participants: 15
Create vibrant, layered prints using Gelli plates on both paper and fabric! In this hands-on workshop, you’ll explore color, texture, and pattern while making your own prints and a collaborative fabric banner. Perfect for all ages—no experience necessary, just bring your creativity!
All levels welcome—let’s get creative!
General Admission (1 person): $12.16
Family Admission (Parent & Children): $15.27

Registration is required to participate: Save your spot today
Dindga McCannon

About the facilitators:

Dindga McCannon has been a WEUSI artist since the 1960s. She is a fiber and mixed-media artist, writer, illustrator, painter, wearable art maker, costume designer, muralist, printmaker, and mother. Her work fuses traditional needlework skills with fine art practices. In 1971, McCannon co-founded Where We At, a groundbreaking collective of Black women artists.

Clay Workshop: Hand-Building for Beginners
2025-09-09 18:00 - 20:00
Hand-Building for Beginners
Students will explore the art of hand-building through techniques such as coils, pinch pots, and slabs. They will gain confidence working with clay, learning to use tools to shape, texture, and bring their creative ideas to life.

Facilitated by: Early Rudolph
Day & Time: Tuesdays, 6:00–8:00 PM
Class Dates:
September: 2, 9, 16, 23, 30
Age Group: 16 years and older
Cost:
General Admission: $12
Family Admission (Parent & Children): $15
Donation (Pay What You Wish)
Free Entry Available

Registration is required to participate: Reserve your spot now!

About the Facilitator: Early Rudolph

Early Rudolph “My talent for art emerged at a very young age in elementary school, where it was first recognized. Teachers at my junior high school encouraged me by showcasing my work at PTA meetings, school openings, and art fairs. In the 1970s, I was selected to exhibit at the Brooklyn Museum of Art as part of a showcase of outstanding works by high school students. I was also awarded a special scholarship to study sculpture at Brooklyn College for one year, where I honed my technique and deepened my understanding of various artistic mediums.
Since 1984, my studies at Greenwich House Pottery have opened numerous avenues in the world of functional ceramics and sculpture, providing exposure to gallery shows and opportunities to sell my work to art collectors. In the 1980s, I began teaching ceramics and sculpture in both the private sector and New York City government programs, instructing students of all ages—including children, adults, senior citizens, and individuals who are blind or differently-abled—helping them experience the beauty of art through the sensitivity of their hands.
Teaching Experience:

Sirovich Senior Center (1990s): Taught ceramics for 14 years.
Associated Blind, Inc. (1990–2000): Taught ceramics for 15 years.
Conducted workshops throughout Manhattan and Brooklyn during the 1980s and 1990s.
Visions for the Blind (late 1990s–early 2000s): Led 12-day workshops at their vacation camp in Spring Valley, NY, producing results at the conclusion of each session.This list only scratches the surface of my experience, but I hope it gives you a sense of my dedication to teaching and creating art.”

Drawing for People Who Think They Can’t Draw
2025-09-14 14:00 - 15:30, 2025-09-28 14:00 - 15:30
The 2nd and 4th Sundays of every month!

Class Dates:

September 14, 28
October 12, 26
November 9, 23
December 7, 21

Time: 2:00 to 4:00pm
Age Group: Teens and Adults
Are You Drawing Insecure?? We Gotchu!
Think you can’t draw? Well, think again…! This welcoming class for teens and adults is designed for two levels:

Level 1 (Beginners): Learn to use artists’ drawing tools, get confident, and discover new ways of seeing and imagining that will result in drawings you are proud of!

Level 2 (Intermediate): For students with some experience who want to go further—bring your own photos, or receive subjects and style options to explore in class.

At both levels, you’ll expand your awareness of what makes a “good drawing,” have fun discovering your unique artistic style, and receive 1:1 individualized guidance.
Don’t miss this empowering program—your inner artist called and they want OUT! Yes, you can draw! You got this!
The CAC will provide the materials and tools; however, if you prefer to use your own, please do not hesitate to do so.

Laura King (Pictured Above)
About the facilitator:
Laura King, artist and resident of West Harlem, is passionate about expressing city life by drawing. Her graphite works range from precise anatomical storytelling and portraiture to quick captures of the streets that vibrate with energy and motion. In 2024, her drawings have been shown in NYC exhibitions at The Factory, Culture Lab LIC, Diego Salazar, The Atlantic, and soon (Oct-Nov) Art on the Avenue. She was also an invited panelist during LICA’s Drawing Beyond the Surface exhibition May 2024, Seeing and Feeling: A Conversation about the Medium of Drawing. @diditellyouidraw

Clay Workshop: Hand-Building for Beginners
2025-09-23 18:00 - 20:00
Hand-Building for Beginners
Students will explore the art of hand-building through techniques such as coils, pinch pots, and slabs. They will gain confidence working with clay, learning to use tools to shape, texture, and bring their creative ideas to life.

Facilitated by: Early Rudolph
Day & Time: Tuesdays, 6:00–8:00 PM
Class Dates:
September: 2, 9, 16, 23, 30
October: 7, 14, 21, 28
November: 4, 11, 18, 25
December: 2, 9, 16, 23
Age Group: 16 years and older
Cost:
General Admission: $12
Donation (Pay What You Wish)

Registration is required to participate: Reserve your spot now!

About the Facilitator: Early Rudolph

Early Rudolph “My talent for art emerged at a very young age in elementary school, where it was first recognized. Teachers at my junior high school encouraged me by showcasing my work at PTA meetings, school openings, and art fairs. In the 1970s, I was selected to exhibit at the Brooklyn Museum of Art as part of a showcase of outstanding works by high school students. I was also awarded a special scholarship to study sculpture at Brooklyn College for one year, where I honed my technique and deepened my understanding of various artistic mediums.
Since 1984, my studies at Greenwich House Pottery have opened numerous avenues in the world of functional ceramics and sculpture, providing exposure to gallery shows and opportunities to sell my work to art collectors. In the 1980s, I began teaching ceramics and sculpture in both the private sector and New York City government programs, instructing students of all ages—including children, adults, senior citizens, and individuals who are blind or differently-abled—helping them experience the beauty of art through the sensitivity of their hands.
Teaching Experience:

Sirovich Senior Center (1990s): Taught ceramics for 14 years.
Associated Blind, Inc. (1990–2000): Taught ceramics for 15 years.
Conducted workshops throughout Manhattan and Brooklyn during the 1980s and 1990s.
Visions for the Blind (late 1990s–early 2000s): Led 12-day workshops at their vacation camp in Spring Valley, NY, producing results at the conclusion of each session.This list only scratches the surface of my experience, but I hope it gives you a sense of my dedication to teaching and creating art.”

Opening Reception: First Time Ever I Saw Your Face Harlem
2025-09-26 18:00 - 20:00
The Colored Girls Museum × The Children’s Art Carnival

First Time Ever I Saw Your Face Harlem
Exhibition Dates: September 26 – November 2, 2025
Opening Reception: Friday, September 26, from 6 to 8 pm (RSVP)
Location: The Children’s Art Carnival, 62 Hamilton Terrace, New York, NY 10031

First Time Ever I Saw Your Face is a traveling group exhibition commissioned by The Colored Girls Museum (TCGM). The title of the exhibition, inspired by Roberta Flack’s iconic 1972 vocal rendition, was chosen as a love song to black girlhood by TCGM’s Founder, Vashti Dubois. Tasked with creating portraits of Black girls ages 10 – 18, the series to-date features six paintings by artists and their muses:

Misha McGlown & Madison Proctor
Nile Livingston & Tyjanae Williams
Chanell Phillips & Christen Harvey
Serena Saunders & Myka Ollison
Aysha Ray Walker & Haley Ray
Tara Pearson (aka Misty Sol) & Ayah Pearson

The Children’s Art Carnival (CAC), in partnership with The Colored Girls Museum, has commissioned three additional artists, all from Harlem, to create new portraits to contribute to the traveling series. The artists and their muses are :

Moses Harper & Cayla McTair
Kephera Ife & Shiloh Lecky
Gwendolyn Black & Zoe Browner

All nine portraits, which include the original six, will be on display at CAC from September 26, 2025, through November 2, 2025.

About The Colored Girls Museum: The Colored Girls Museum is a Black-women founded, collectively-led house museum whose mission emerges out of our sincere duty to African Diasporic histories, cultural traditions, and political commitments. The museum is located at 4613 Newhall St, Philadelphia, PA 19144. Please visit thecoloredgirlsmuseum.com to book an appointment and for more information.
About the Children’s Art Carnival: Since 1969, The Children’s Art Carnival has provided arts programs for young people and families in West Harlem and the broader Harlem community. Understanding that the arts are a bridge to learning and to overall competency, CAC’s long-standing objective has been to support the development and growth of participants from early ages through adulthood and to provide creative experiences that will engage young people, their families, and community members. We are equally committed to providing professional development opportunities and resources to early-career and emerging artists from Harlem, New York City, and throughout the region.
First Time Ever I Saw Your Face is made possible with funding from West Harlem Development Corporation, New York Council on the Arts, Harlem Development Corporation, Lower Manhattan Cultural Council, the Ruth Foundation for The Arts and donations from New York Film Academy and Hamilton Heights community and beyond.

Abstract Portraits - Fall Art Workshop by Aleathia Brown
2025-09-26 18:00 - 21:00
Abstract Portraits explores more than the visual representation of the Participants. We’ll collage using fabric, paint, found objects, and other materials as visual cues to depict each individual’s essence. Symbolic Portraits can capture the essence of a person without showing their physical likeness at all.

A portrait is a representation of a person or group of people, captured through various artistic media like painting, drawing, collage, photography, or sculpture.

It goes beyond simply recording a likeness, often aiming to convey a story, emotions, personality, or to capture a significant moment in time.

Key elements that contribute to a portrait’s impact include composition, lighting, posing, facial expressions, and the background.

For: Adults/Seniors
Tickets: $48.50

We as Creatives can Break the Rule:
Artists often intentionally exclude a face to create anonymity, inviting the viewer to place themselves in the scene or focus on other details, such as a particular pose or gesture. We drop clues using visuals glued and composed that tell the story of each Participant, creating what will be their personal masterpiece to take home proudly.

Art Supplies included
Guidance for the Art workshop throughout is warmly available

Payment Link
https://square.link/u/Sc5CJX4g

Community Engagement
If unable to attend sponsor a ticket or 2 for someone unable to pay wanting to attend

Book a seat at the table with
Aleathia Brown
Teaching Artist
aleathiab.art@gmail.com

Aleathia Brown
Instagram: @aleathias_original_artworks

Hamilton Heights Darkroom Workshop- Photograms for Parent & Child
2025-09-27 12:00 - 14:00
September 27 | Photograms for Parent & Child: This is a fun introduction to the darkroom class. Students place objects on photographic paper and expose them to light, then develop the paper in our darkroom. The unusual combinations are personal expressions that utilize the student’s intuition.
Online registration is required to participate: Register Now
.

Upcoming Workshops:

September 27 | Photograms for Parent & Child: This is a fun introduction to the darkroom class. Students place objects on photographic paper and expose them to light, then develop the paper in our darkroom. The unusual combinations are personal expressions that utilize the student’s intuition.
October 18 | Family Photo: Everybody has an old box of photos or negatives of their family members. Students bring in negatives of past and current family and make enlarged prints. Multiple copies can be gifted to others.
November 15 | Darkroom Open Printing: Students can print what they like. They can print photograms again or combine enlarged negatives with objects for unique photographs. Students who attend two or more of these workshops begin to see the potential of creating art in a traditional darkroom.
December 20 | Matting: Students provide their own work to be matted in preparation for framing and display. This class is suitable for attendance by students from multiple disciplines. A bevel edged window mat (supplied) is cut for each piece and students attach their work. Photos, drawings, collage and old newspaper articles can be matted. Students leave with pieces mounted and ready to frame.

About: Located in the historic Hamilton Heights neighborhood within Harlem, Hamilton Heights Darkroom (HHD) is dedicated to the preservation of traditional darkroom printing and film photography. Students use film cameras, and print from negatives in the darkroom as a basis to learn photography. HHD offers photography basics and darkroom printing for youth, teens and adult printers, from beginner level to advanced.
As darkrooms, photography and public school arts programs disappear, HHD strives to preserve both culture and photography in the Harlem community. HHD offers group printing classes, photography classes (film and digital) and discussion about current photography issues in a collegial setting. HHD collaborates with local community arts and culture organizations seeking youth and adults interested in photography.

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About Hamilton Heights Darkroom:
Located in the historic Hamilton Heights neighborhood within Harlem, Hamilton Heights Darkroom (HHD) is dedicated to the preservation of traditional darkroom printing and film photography. Students use film cameras, and print from negatives in the darkroom as a basis to learn photography. HHD offers photography basics and darkroom printing for youth, teens and adult printers, from beginner level to advanced.
As darkrooms, photography and public school arts programs disappear, HHD strives to preserve both culture and photography in the Harlem community. HHD offers group printing classes, photography classes (film and digital) and discussion about current photography issues in a collegial setting. HHD collaborates with local community arts and culture organizations seeking youth and adults interested in photography.

Hamilton Heights Darkroom Workshops and all programs at The Children’s Art Carnival are made possible with funding from West Harlem Development Corporation, Lower Manhattan Cultural Council, the Ruth Foundation for The Arts and donations from New York Film Academy.

Stop-Action Animation Workshop
2025-09-27 13:00 - 15:00
Stop-Action Animation Workshop
Facilitated by: Harmarkhis McCannon
Date: Saturday, September 27
Time: 1:00 – 3:00 p.m.
Venue: The Children’s Art Carnival
Max. Participants: 15
Age Group: All ages welcome (children must be accompanied by an adult; no drop-off).
Discover the magic of stop-motion! Learn how to turn everyday objects and drawings into animated stories using simple techniques. Bring your imagination and watch your ideas come to life, frame by frame. In this workshop, students will explore the art of stop-motion animation—imagine a story you want to tell and bring it to life using these basic techniques.

Registration is required to participate: Save your spot today

About the facilitators:
Harmarkhis McCannon
About the facilitator:
Harmarkhis McCannon is an artist/graphic designer based in New York City. As a child he honed his artistic talents at the Children’s Art Carnival and the Harlem School of the arts. Later he continued his training at LaGuardia H.S. of the Performing Arts and at the Fashion Institute of Technology. He works as a freelance artist in New York City and also runs his own design company.

The Artist’s Voice: A (Virtual) Writing Clinic for Creatives
2025-09-28 14:00 - 16:00
The Artist’s Voice: A Writing Clinic for Creatives
Description:
The Artist’s Voice is a monthly two-hour writing clinic where artists receive hands-on support in creating and editing documents essential for their careers, ensuring they leave with improved drafts or even finished documents. The clinic focuses on helping artists craft compelling artist statements, bios, grant applications, responses to open calls, and residency proposals. Artists at all career stages who need support with professional writing related to art opportunities are encouraged to attend. Artists can bring physical or digital copies to the clinic for on-the-spot revisions. Space is limited; sign up for an appointment on-line.
Sunday, September 28, 2 – 4 pm

Slot 1 – 2:00 – 2:20
Slot 2 – 2:30 – 2:50
Slot 3 – 3:00 – 3:20
Slot 4 – 3:30 – 3:50

Max. Participants: 4
Cost: $1-10 Donate-what-you-can
Registration: RSVP
(Registration is required to participate)

Radhiyah Ayobami

About the Facilitator:
Radhiyah Ayobami is Brooklyn-born with Southern roots. Her journey to writing began at the kitchen table listening to her grandmother’s stories. She holds a B.A. in Africana Studies from Brooklyn College, and a MFA in Prose from Mills College. She has received awards from the New York Foundation of the Arts, the Sustainable Arts Foundation and International Literary Seminars Kenya. She has also received residencies from Under the Volcano Mexico, Atlantic Center for the Arts and Breadloaf Environmental Writers Conference. She has been published in several anthologies and journals, including AGNI, Asterix, Kweli, African Voices, and Hispanic Theological Initiative. She was the 2024 Talk of the Town Resident Artist with El Museo and the NYC Mayor’s Office of Immigrant Affairs. Some of her most enjoyable work has been facilitating writing and movement sessions with youth, immigrants, and elders in schools and community centers across NYC. Her free time is spent unrolling her yoga mat in random locations, going to her son’s basketball games, and turning everything into stories. She is the author of The Long Amen.

Clay Workshop: Hand-Building for Beginners
2025-09-30 18:00 - 20:00
Day & Time: Tuesdays, 6:00–8:00 PM
Class Dates:
September: 2, 9, 16, 23, 30
October: 7, 14, 21, 28
November: 4, 11, 18, 25
December: 2, 9, 16, 23
Age Group: 16 years and older
Cost:
General Admission: $12
Donation (Pay What You Wish)

Registration is required to participate: Reserve your spot now!

About the Facilitator: Early Rudolph

Early Rudolph “My talent for art emerged at a very young age in elementary school, where it was first recognized. Teachers at my junior high school encouraged me by showcasing my work at PTA meetings, school openings, and art fairs. In the 1970s, I was selected to exhibit at the Brooklyn Museum of Art as part of a showcase of outstanding works by high school students. I was also awarded a special scholarship to study sculpture at Brooklyn College for one year, where I honed my technique and deepened my understanding of various artistic mediums.
Since 1984, my studies at Greenwich House Pottery have opened numerous avenues in the world of functional ceramics and sculpture, providing exposure to gallery shows and opportunities to sell my work to art collectors. In the 1980s, I began teaching ceramics and sculpture in both the private sector and New York City government programs, instructing students of all ages—including children, adults, senior citizens, and individuals who are blind or differently-abled—helping them experience the beauty of art through the sensitivity of their hands.
Teaching Experience:

Sirovich Senior Center (1990s): Taught ceramics for 14 years.
Associated Blind, Inc. (1990–2000): Taught ceramics for 15 years.
Conducted workshops throughout Manhattan and Brooklyn during the 1980s and 1990s.
Visions for the Blind (late 1990s–early 2000s): Led 12-day workshops at their vacation camp in Spring Valley, NY, producing results at the conclusion of each session.This list only scratches the surface of my experience, but I hope it gives you a sense of my dedication to teaching and creating art.”

Carve, Press, Repeat! | PRESS & PULL | FALL 2025
2025-10-04 13:00 - 16:00
Carve, Press, Repeat!
Facilitator: Alannah Sears
Class Date: Saturday, October 4th
Time: 1:00 – 4:00pm
Venue: The Children’s Art Carnival
Max. Participants: 15
Ages 12+ (under 18 must be accompanied by an adult).
General: $12
Family (Parent + Children): $15
Donation: Pay What You Wish
Registration is required to participate: Save your spot today!

Alannah Sears
Ever wanted to create your own pattern or custom stamp? This workshop will show you how!
Participants will learn the art of linoleum carving (block printing) and hand-printing techniques to transfer their small, simple designs onto fabric. Bring clothes, tote bags, or extra fabric to print on during the session.
Tip: Carving takes time, so come prepared with a simple design to make sure you have enough time to print.
About the process:Lino printing is a traditional relief printmaking technique, often called lino cutting. It involves carving a design into a linoleum block using a sharp tool called a lino cutter. The raised (uncarved) areas are then inked with a brayer and printed onto paper or fabric using a baren or spoon. This method allows you to create multiple prints (called editions) of your artwork.
While we’ll touch on traditional block printing principles, this workshop is designed to help you develop your concept and understand the fundamentals of linoleum block printmaking—carving, inking, and creating reproductions.

About the facilitators:

Alannah Sears is a Brooklyn-based artist who investigates the complexities of the female experience through delicate graphite drawings. Her work challenges traditional representations of the female form, creating figures that defy gravity and conventional notions of beauty. These figures contort, elongate, squeeze, and fold in uncanny or impossible ways, embodying an ethereal beauty through the delicate interplay of light and shadow. She has exhibited her work at CUE Art Foundation, and Paradise Palace, and has been awarded residencies at the Joan Mitchell Center, Joan Mitchell Foundation (NY), and Vermont Studio Center.

Artist Talk: First Time Ever I Saw Your Face Harlem
2025-10-04 16:00 - 18:00
The Colored Girls Museum × The Children’s Art Carnival

First Time Ever I Saw Your Face Harlem

Join The Children’s Art Carnival and The Colored Girls Museum for a conversation with participating artists about creating intimate portraits.

Artist Talk: Saturday, October 4, 4 to 6 pm (RSVP)

Exhibition Dates: September 26 – November 2, 2025
Location: The Children’s Art Carnival, 62 Hamilton Terrace, New York, NY 10031

First Time Ever I Saw Your Face is a traveling group exhibition commissioned by The Colored Girls Museum (TCGM). The title of the exhibition, inspired by Roberta Flack’s iconic 1972 vocal rendition, was chosen as a love song to black girlhood by TCGM’s Founder, Vashti Dubois. Tasked with creating portraits of Black girls ages 10 – 18, the series to-date features six paintings by artists and their muses:

Misha McGlown & Madison Proctor
Nile Livingston & Tyjanae Williams
Chanell Phillips & Christen Harvey
Serena Saunders & Myka Ollison
Aysha Ray Walker & Haley Ray
Tara Pearson (aka Misty Sol) & Ayah Pearson

The Children’s Art Carnival (CAC), in partnership with The Colored Girls Museum, has commissioned three additional artists, all from Harlem, to create new portraits to contribute to the traveling series. The artists and their muses are :

Moses Harper & Cayla McTair
Kephera Ife & Shiloh Lecky
Gwendolyn Black & Zoe Browner

All nine portraits, which include the original six, will be on display at CAC from September 26, 2025, through November 2, 2025.

About The Colored Girls Museum: The Colored Girls Museum is a Black-women founded, collectively-led house museum whose mission emerges out of our sincere duty to African Diasporic histories, cultural traditions, and political commitments. The museum is located at 4613 Newhall St, Philadelphia, PA 19144. Please visit thecoloredgirlsmuseum.com to book an appointment and for more information.
About the Children’s Art Carnival: Since 1969, The Children’s Art Carnival has provided arts programs for young people and families in West Harlem and the broader Harlem community. Understanding that the arts are a bridge to learning and to overall competency, CAC’s long-standing objective has been to support the development and growth of participants from early ages through adulthood and to provide creative experiences that will engage young people, their families, and community members. We are equally committed to providing professional development opportunities and resources to early-career and emerging artists from Harlem, New York City, and throughout the region.
First Time Ever I Saw Your Face is made possible with funding from West Harlem Development Corporation, New York Council on the Arts, Harlem Development Corporation, Lower Manhattan Cultural Council, the Ruth Foundation for The Arts and donations from New York Film Academy and Hamilton Heights community and beyond.
